Extensions V.6

Extensions is proud to
publish content from UCLA’s 2010 national graduate student conference in
performance studies, “Anxieties of Overexposure: Enlargements, Contagions, & the Dark.” Set in the
quintessentially spotlighted culture of Los Angeles, papers and performances
from this conference explored how performance processes of exaggeration,
display and mystification interact with meaning-making and critique. As
brightness obscures detail in overexposed images, panels and performances
addressed the political and cultural consequences of this “blowing out,” paying
particular attention to their underlying anxieties. Discourses of
marginalization address this simultaneous hypervisibility and indistinction,
and performance studies is rooted in deconstructing and negotiating these
racialized, disabled, queer, indigenous, gendered, classed and transnational
terrains. The conference also addressed that which is “drowned out” due to
selective amplification, thereby facing underexposure, containment and even
erasure. Productive questions posed during the conference included how
performance studies both invests in and critiques national (de)formation,
sensationalism, corporeal manipulation, canonicity and their attendant
abjections--how does performance as an artistic form, a quotidian method and an
academic field reproduce these overexposures while also intervening in them?
What are the political possibilities, as well as the limits, of overemphasis?
The current issue
features work by the conference’s Spotlight Scholars: Aliza Shvarts on the fetish of the rape kit; Ryan Hartigan
on rugby, the Haka and performing disunity; and an interview with Khai Thu
Nguyen regarding her work on the history, performance and politics of cải
lương. It also presents
papers from conference participants Jessica Jacobson-Konefall, on popular dance
in fin-de-siècle Paris; and Lorenzo Perillo, on the robot and anxieties of
racial futures.
The board of Extensions
would like to thank all participants in the Anxieties of Overexposure conference
and the UCLA Center for Performance Studies for providing the opportunity for a
rich and engrossing conversation. Our thanks, too, to our contributors; we
enthusiastically share their work with you.
The editorial board of
Extensions:
Lindsay Brandon Hunter
Angeline Shaka
Ana Paula Hofling
David Gorshein
Tony Fitzgerald
Linzi Juliano
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